1 Skala 6:14 2 Edinburgh 5:04 3 June 4:14 4 Oslo 5:27 5 Joni 5:52 6 Biermann 6:07 7 Day After 4:52 8 Epilogue 3:20 ***** Mathias Eick, trumpet, vibraphone, guitar, bass Tore Brunborg, tenor saxophone Andreas Ulvo, piano Morten Qvenild, keyboards Audun Erlien, electric bass Torstein Lofthus, Gard Nilssen, drums Sidsel Walstad, harp. The pop-recording approach may have conspired with Eick's song-shaped melodic sense to impart Skala's elevator-music feel. Mathias Eick albums, MP3 free albums, collections tracks free download in Mp3 here.
Mats Eilertsen – Rubicon (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 54:26 minutes | 1,04 GB | Genre: Jazz
Studio Masters, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © ECM Records
Recorded: Rainbow Studio, Oslo in May 2015
Mathias Eick. His main instrument is trumpet, but he also plays double bass, vibraphone, piano and guitar. Eick has performed with several well-known music groups and musicians, such as Jaga Jazzist, Chick Corea and Pat Metheny. He is also a member of Thomas Dybdahl 's backing band, The Great October Sound. Mathias Eick’s intensely melodic trumpet occupies the centre-stage in this album of self-penned tunes which will appeal to an audience beyond “Jazz”. Against the powerful backdrops offered by his sleek, modern band, driven by two drummers, he delivers richly lyrical soliloquies.
Norwegian bassist Mats Eilertsen has been a strong and supportive presence on a dozen ECM sessions to date. With Rubicon he steps forward to present his own music, with an international cast. The album features compositions originally written in response to a commission from the Vossajazz Festival. All About Jazz reviewed the premiere performance: “Rubicon proved to be a very dynamic work. Eilertsen ensured that each of the instrumentalists took their share of the spotlight, brought together combinations of players that emphasized tonal variation, and created ensemble sections bursting with life.” After fine-tuning the material on tour, Mats brought his septet to Oslo’s Rainbow Studio, where Manfred Eicher produced this definitive version of Rubicon in May 2015.
On his leader debut for ECM, bassist/composer Mats Eilertsen surrounds himself with players he has worked with in various contexts over the last 15 years. He has appeared on the label many times under the leadership of Tord Gustavsen, Jacob Young, Nils Økland, and Mathias Eick. This septet date is the largest ensemble he’s ever assembled on record — though they seldom play together. Among his collaborators are saxophonist/clarinetist Eirik Hegdal and guitarist Thomas Dahl, both of whom he’s worked with since the ’90s in Dingobats; ex-pat American Rob Waring on vibraphones and marimbas, drummer Olavi Louhivuori, pianist Harmen Fraanje, and saxophonist Trygve Seim. Rubicon began its life as a commission from the Vossajazz Festival in 2014. Free blues harmonica lessons. The music changed shape and was tightened on the road until producer Manfred Eicher and engineer Jan Eric Kongshaug captured it in Oslo’s Rainbow Studio in May 2016.
Those familiar with Eilertsen’s work with his Turanga or SkyDive bands will know that he doesn’t compose to showcase his own playing. He writes for ensembles, or, in this case, subgroups of them. Opener “Canto” is an intimate, gentle dialogue for saxophone (Seim) and Hegdal’s clarinet. Cymbal washes and sparse, crystalline, middle-register piano join the bassline. A Spanish tinge lies in its speculative melody. “March” is almost dirge-like in tempo, but it’s colorful; it also contains traces of folk melody before moving off into an almost rockist groove via the guitarist’s tremolo bar, Fraanje’s Rhodes and acoustic piano, and Waring’s sparkling vibes before an outside tenor solo. Though “Balky” commences with a bass solo, piano, brushed drums, tenor saxophone, guitar, and marimba eventually add layers, delivering the most songlike melody on the set. The interplay between Seim’s solo and Dahl’s illustrative electric guitar fills is gorgeous. “Blublue,” with its staggered lyric line, is more harmonically open, with elegant use of vibes and Bill Frisell-esque guitar vamps while saxophones and vibes gently circle outward until the piano and an alto horn circle back. “September” is a vehicle for Dahl. His guitar is at the forefront with drums and vibes, as the horns add staggered fills in the backdrop. It’s the closest thing to conventional “jazz” here, with a nearly euphoric sense of rhythmic syncopation. Rubicon delivers a series of fine compositions that explore various combinations of intimate, exploratory sounds along (mostly) subtle color lines and elegantly arrayed textural palettes. They evoke an inherent lyricism that, for all its restraint, is tonally expansive and harmonically smart. –AllMusic Review by Thom Jurek
Tracklist:
1. Canto 05:36
2. Cross the Creek 02:22
3. March 08:07
4. Balky 06:47
5. Lago 07:00
6. Blublue 07:27
7. Wood and Water 02:06
8. September 08:01
9. Reminiscent 04:39
10. Introitus 02:21
1. Canto 05:36
2. Cross the Creek 02:22
3. March 08:07
4. Balky 06:47
5. Lago 07:00
6. Blublue 07:27
7. Wood and Water 02:06
8. September 08:01
9. Reminiscent 04:39
10. Introitus 02:21
Personnel:
Trygve Seim: tenor and soprano saxophones
Eirik Hegdal: soprano, baritone sax, clarinet and bass clarinet
Thomas Dahl: guitar
Rob Waring: marimba and vibraphone
Harmen Fraanje: piano, Fender Rhodes
Mats Eilertsen: double bass
Olavi Louhivuori: drums
Trygve Seim: tenor and soprano saxophones
Eirik Hegdal: soprano, baritone sax, clarinet and bass clarinet
Thomas Dahl: guitar
Rob Waring: marimba and vibraphone
Harmen Fraanje: piano, Fender Rhodes
Mats Eilertsen: double bass
Olavi Louhivuori: drums
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By KARL ACKERMANN
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On his previous ECM release, Midwest (2015), trumpeter and composer, Mathias Eick plotted the course of his Norwegian ancestors to the heartland of America. Drawn from his own travels as well, Eick applies personal experiences and family lore once again on Ravensburg, named for the German town of his grandmother. Here the journey is closer to home and considers Eick's roots in Germany as well as Norway. The inspirations—as the song titles indicate—are family, friends and other close relationships whose memories endure. Sign in to view read count
The composition of the group is similar to Midwest in terms of instrumentation, if not personnel. Only percussionist
Helge Norbakken
'>Helge Norbakken remains from the previous quintet. Norbakken has worked with Eick since his ECM leader debut The Door, in 2008. His drum kit is unique: a low-tuned rototom—a drum with no shell and a variable pitch—home-made cymbals, African drums, brushwood bundles and more. The Ravensburg group expands to a sextet with the addition of a second drummer, Torstein Lofthus, who has progressive rock and jazz backgrounds and appeared on Eick's Skala (ECM, 2011) along with bassist Audun Erlien and pianist Andreas Ulvo. Violinist Håkon Aase is new to Eick's sphere but not to ECM, having played with Thomas Strønen's Time Is A Blind Guide. The striking melancholy of 'Family' opens with Ulvo's placid piano and gives way to Eick's breathy trumpet—somewhat reminiscent of
Nils Petter Molvaer
b.1960
trumpet
'>Nils Petter Molvaer. A bit more buoyant—but still with an underlying sadness—is 'Children' where Aase's violin produces a folky air and Eick contributes wordless vocalizing. 'Friends' begins starkly—Ulvo and Eick then moderating the pace—and along with Norbakken, adding an element of abstraction. 'August' and 'For My Grandmothers' are appealing and discreet, both featuring excellent piano and trumpet solos. 'Girlfriend' has a suite-like quality about it and contains an exceptional solo from Aase. While there are noteworthy individual contributions throughout, the emphasis is on group dynamics and it is here that Eick's vision plays out in vivid color. b.1960
trumpet
Eick's compositions have an overall darkness about them though their sophistication and accents, the punctuation of bass and percussion, makes for a highly listenable blend of emotions, without jolting fluctuations. As with Midwest the music on Ravensburg
Mathias Eick Ravensburg
is deeply atmospheric. When the violin is clearly present, it adds beautiful touches; the drummers (which of the two is sometimes difficult to discern) add a complexity that is in sharp contrast to the central mood, but always additive. Ravensburg is rich, welcoming and should be heard in full to be appreciated.Track Listing: Family; Children; Friends; August; Parents; Girlfriend; Ravensburg; For My Grandmothers.
Mathias Eick Skala
Personnel: Mathias Eick: trumpet, voice; Håkon Aase: violin; Andreas Ulvo: piano; Audun Erlien: electric bass; Torstein Lofthus: drums; Helge Andreas Norbakken: drums, percussion.
Title: Ravensburg | Year Released: 2018 | Record Label: ECM Records